Truefire - Guitar Lab Getting to Know the Neighbors

Added 12 days ago
Title: Truefire - Guitar Lab Getting to Know the Neighbors
Category: Learning
Size: 1.9 GB
Added: November 6, 2018, 10:29 am
Description
One of the most effective melodic tools is the use of neighbor tones. This concept involves lower and/or upper neighbor tones which are used to approach a target note. These neighbor tones may be diatonic and/or chromatic. Not only is this technique powerful way to embellish basic melody, but it is also an effective way to break out of the pentatonic/mode rut that so many guitarists fall into.

If you compare guitarists to horn players and piano players, you will readily see that guitarists learn to play rhythm and then move into lead. Rarely do they play melody as horn and piano players do from day one. Hence, this concept of playing a melody and embellishing it with neighbor tones is not a typical part of a guitarist's vocabulary.

This course will present what I term "sonic snapshots" to aid you in identifying typical harmonic and melodic moves. You will learn to view arpeggios in all three inversions with a one note-per-string layout on the fingerboard. These will be your point of reference for applying lower and upper neighbor tones. These lessons will cover 2, 3, 4, and five note patterns which you will apply over the jam tracks that are included in this course.

46 Total Video Lessons:

-Getting to Know the Neighbors
Introduction
-Zorba The Greek
VII to I
-Motown Vamp
ii to I
-One Note-Per-String Arpeggio
Root Position
-Two Note Patterns
Low High
-Two Note Patterns
High Low
-Three Note Patterns
Low High Middle
-Three Note Patterns
High Low Middle
-Four Note Patterns
Upper Chord Tone As Target
-Four Note Patterns
Lower Chord Tone As Target
-Five Note Patterns
Upper Tone Targets Pt. 1
-Five Note Patterns
Upper Tone Targets Pt. 2
-Five Note Patterns
Upper Tone Targets Pt. 3
-Five Note Patterns
Upper Tone Targets Pt. 4
-Five Note Patterns
Upper Tone Targets Pt. 5
-Five Note Patterns
Upper Tone Targets Pt. 6
-Five Note Patterns
Upper Tone Targets Pt. 7
-Five Note Patterns
Upper Tone Targets Pt. 8
-Five Note Patterns
Lower Tone Targets Pt. 1
-Five Note Patterns
Lower Tone Targets Pt. 2
-Five Note Patterns
Lower Tone Targets Pt. 3
-Five Note Patterns
Lower Tone Targets Pt. 4
-Five Note Patterns
Lower Tone Targets Pt. 5
-Five Note Patterns
Lower Tone Targets Pt. 6
-Five Note Patterns
Lower Tone Targets Pt. 7
-Five Note Patterns
Lower Tone Targets Pt. 8
-One Note-Per-String Arp
1st Inversion
-One Note-Per-String Arp
2nd Inversion
-Along The String Axis
All Three Inversions
-Ionian Patterns
Low - High - Middle
-Lydian Patterns
Low - High - Middle
-Mixolydian Patterns
Low - High - Middle
-Dorian Patterns
Low High Middle
-Aeolian Patterns
Low High Middle
-Melodic Minor Patterns
Low High Middle
-Lydian b7 Patterns
Low High Middle
-Phrygian Dominant Patterns
Low High Middle
-Super Locrian Patterns
Low High Middle
-Phrygian Patterns
Low High Middle
-Chromatic Enhancement
Connecting the Dots
-Adjacent Diatonic Triads
Alternate Views
-Intervallic Leaps
String Skipping
-Patterns Encompassing Thirds
Melodic Options
-Diatonic 7th Chords
Melodic Organization
-Chromatic Connection
The Big Picture
-Extended Harmonies
Overview
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